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Messages - lala

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1
MGMT / Re: Photos and Graphics
« on: August 06, 2016, 12:14:49 AM »
Not exactly MGMT photos, but something to tide you over.

ANDREEA DIACONU & BOYFRIEND ANDREW VANWYNGARDEN ARE DENIM LOVERS IN CURRENT/ELLIOTT’S FALL ADS
August 4, 2016

Top model Andreea Diaconu joins her boyfriend, musician Andrew Vanwyngarden of MGMT, for the fall-winter 2016 campaign from Current/Elliott. Photographed on location in Rockaway Beach, New York, the lovers pose in denim style with a rock and roll attitude. Andreea looks casual cool in suede jackets and embellished denim while Andrew looks laid-back in plaid and camouflage.






2
MGMT / The rumors can stop-we have a fourth album!
« on: July 30, 2016, 08:51:04 AM »

3
MGMT / MGMT record tribute to Suicide's Alan Vega
« on: July 18, 2016, 01:04:52 AM »
Suicide and Alan Vega are a great MGMT inspiration.  Today they recorded a tribute of one of Vega's songs following his death:

https://soundcloud.com/watermelonsugar-1/goodbye-darling

<a href="https://www.youtube.com/v/TEA_TiMzzRI" target="_blank" class="new_win">https://www.youtube.com/v/TEA_TiMzzRI</a>

Alan Vega, Suicide Singer and Punk Icon, Dead at 78
"Alan was not only relentlessly creative, writing music and painting until the end, he was also startlingly unique," protopunk pioneer's family writes


By Daniel Kreps

Alan Vega, singer in the influential protopunk duo Suicide, died peacefully in his sleep Saturday. He was 78.
Henry Rollins first reported news of Vega's death, sharing a statement from Vega's family. "With profound sadness and a stillness that only news like this can bring, we regret to inform you that the great artist and creative force, Alan Vega has passed away," Vega's family wrote.

"Alan was not only relentlessly creative, writing music and painting until the end, he was also startlingly unique. Along with Martin Rev, in the early 1970's, they formed the two person avant band known as Suicide. Almost immediately, their incredible and unclassifiable music went against every possible grain. Their confrontational live performances, light-years before Punk Rock, are the stuff of legend. Their first, self-titled album is one of the single most challenging and noteworthy achievements in American music. Alan Vega was the quintessential artist on every imaginable level. His entire life was devoted to outputting what his vision commanded of him."
Vega had previously suffered a stroke in 2012.
Vega and friend Martin Rev formed the duo Suicide in the early Seventies after witnessing a Stooges concert in 1969. One of the early progenitors of "punk," Suicide – named after an issue in the Marvel comic book Ghost Rider – presented the genre in a minimalist, eerie and pioneering form, with Vega's echoing vocals backed by a hypnotic swirl of Rev's pulsing, rudimentary synthesizer and cheap drum machines.
After developing their sound over the course of intense, often confrontational live shows in venues like CBGB and Max's Kansas City, the duo released their influential self-titled debut in 1977. Suicide, one of Rolling Stone's 500 Greatest Albums of All Time, housed the early punk anthems "Ghost Rider," "Cheree," "Che" and the frightening epic "Frankie Teardrop."
There's no shortage of artists inspired by Suicide's first LP, with Bruce Springsteen chief among those who have long championed Vega and Rev. "They had that two-piece synthesizer-voice thing," Springsteen told Rolling Stone in 1984. "They had one of the most amazing songs I ever heard called 'Frankie Teardrop'. That's one of the most amazing records I think I ever heard."
Springsteen borrowed the band's musical style for his Nebraska track "State Trooper," a Suicide sound-alike that fooled even Vega, who thought he recorded it when he first heard it. Suicide's 1979 single "Dream Baby Dream" also became a live staple at Springsteen gigs, with the rocker eventually recording a studio cover for 2014's High Hopes. Springsteen added that "[Suicide] are underground masters," and that "they should be in the Rock and Roll Hall of Fame."
Following Suicide and the "Dream Baby Dream" single, Vega and Rev released their second studio album, the Ric Ocasek-produced Suicide: Alan Vega and Martin Rev, in 1980. That year, Vega also issued his first eponymous solo album.
Vega would go on to release three more albums under his own name, 1981's Collision Drive, 1983's Saturn Strip and 1985's Just a Million Dreams – each deviating further away from Suicide's distinctive sound towards a more rockabilly style – before he reunited with Rev for 1988's A Way of Life. The duo would release two more albums, 1992's Why Be Blue and 2002's American Supreme. Over his career, Vega would also collaborate with artists like Ocasek, Ministry's Al Jourgensen, Lydia Lunch, Genesis P-Orridge and Vega's wife Liz Lamere.
In 1994, Vega worked with Big Star's Alex Chilton and singer-songwriter Ben Vaughn for an LP titled Cubist Blues, which was initially released on Henry Rollins' 2.13.61 label in 1996 but reissued in 2015.
Speaking to Rolling Stone in 2015, Vega reminisced about meeting Rollins for the first time. "I said, 'What does this skinhead Nazi want from me?' I thought that's what he was," Vega said. "He comes to the door and he's got a book about John Coltrane and all of a sudden to me, he's a changed man, like a college professor."
Rollins wrote on his site that he would dedicate his Sunday spot on Los Angeles' KCRW to celebrate Vega's work.
Outside of music, Vega also enjoyed a long career as a visual artist. "One of the greatest aspects of Alan Vega was his unflinching adherence to the demands of his art. He only did what he wanted," Vega's family continued in their statement. "Simply put, he lived to create. After decades of constant output, the world seemed to catch up with Alan and he was acknowledged as the groundbreaking creative individual he had been from the very start.
"Alan's life is a lesson of what it is to truly live for art. The work, the incredible amount of time required, the courage to keep seeing it and the strength to bring it forth—this was Alan Vega."

4
MGMT / Enter to win tickets to MGMT DJ Set at Bar Standard in Denver
« on: June 21, 2016, 10:13:48 AM »
http://www.westword.com/promotions/free-stuff/enter-to-win-tickets-to-mgmt-dj-set-at-bar-standard-8025477#!

Lipgloss is celebrating 15 years of sharing dance parties in Denver and, to celebrate, MGMT is joining them for an exclusive DJ set!

It's this Friday, June 24.  You can click above to enter to win tickets.

5
MGMT / Re: 4th album recording could start as early as February!
« on: May 20, 2016, 09:56:43 PM »
"DeMarco has apparently visited the studio to work on something, as evidenced by a photo that surfaced on Yuki Kikuchi's tumblr page of photography. DeMarco and VanWyngarden are both holding guitars in the same attic space, facing a mixing board."

http://exclaim.ca/music/article/mgmt_working_with_mac_demarco_in_home_studio?utm_source=facebookpage&utm_medium=referral&utm_campaign=fbpwall


It wasn't for their project

6
MGMT / Re: Photos and Graphics
« on: April 28, 2016, 07:08:55 AM »


Wow.  Since this thread began, this is the first time that someone posted in and got the 120 day warning.  So sad.  Well since there's nothing newsworthy going on right now, here's a pic of the peeps involved in Simon Doom's EP and you can read all about it in the music section!


7
MGMT / Re: Random MGMT Thoughts
« on: April 28, 2016, 07:05:30 AM »
Simon Doom is Simon O'Connor's (Kuroma guitarist, European festival crowd riler during Kids, and all around super nice guy) project that he's been pouring his heart and talent into over the past couple of years.  I got to see him play in Brooklyn last year in a tiny venue and they splattered my brain all over the ceiling! They reminded me so much of an 80's band called Let's Active which was producer extraordinaire Mitch Easter's project.  Anyway, the EP drops tomorrow and you can read hear about all of the MGMT connections and take a listen here.  http://www.imposemagazine.com/bytes/chatter/week-in-pop-young-fathers-yalls-writer-neighbors-purses-plazas-simon-doom-my-favorite



SIMON DOOM


Introduce yourself to NYC new’s pop icon in the making—Simon Doom; an alt-rock Adonis image ripped from the silver screen, and high-throttling through your stereo-speaker. Known as the lead guitarist in Kuroma, who also works in the touring groups for MGMT & Craig Finn; Simon gifted us the following premiere listen to the forthcoming EP Negotiate With The Monkey available April 29 from Axis Mundi Records, engineered by Ayad Al Adhamy (Passion Pit, Team Spirit), and produced by MGMT’s Ben Goldwasser. The result is the sound of what sounds like a mythic group imagined from the celluloid style of cinema filmstar heroes that rocks & rolls with festival ready savoir faire with the sensible ability to emulate historical pop eras by way of osmosis. The result is like little you will be prepared for.

Negotiate With the Monkey begins with the title track that kicks off like the opening credit roll of the best counter culture film not-yet made. All levels of frequencies are tapped into like experiencing a big glamorous arena-style live set by a big fest headliner that commands the stage and crowd like a shepherd lording at the center of the heard’s gaze & attention. Such matters of idolatry & narcissims are further entertained on the quick-wheeling fuzz guitar gauntlet “To Be Admired” that deals head on with that beautiful face reflecting back in the mirror. Then the surf-storming “Roseate” saturates the scene in rose tinted hues of good fortune, guided by the thundering frenetic & frantic shouts & shakes that send everything speeding & sprialling to a head twisting conclusion. Join us after the following listen to Simon Doom’s new Negotiate EP, for an interview with the group’s fearless leader.



Bring us to the very beginning from when you first began your own solo creative ventures.

Well, as the only member of Kuroma who does not double as a touring member of MGMT, I found myself at home, with nothing to do, quite often in 2013-14 when all my dudes were out promoting MGMT’s last record. So I started writing and recording songs.

Originally, they were all songs I was writing for Kuroma, but after I recorded a couple demos, I kind of didn’t want anyone else to sing them. They were pretty personal. I was used to writing songs for other people to sing because I never considered myself a singer… which, I imagine, has something to do with me not being allowed to sing in my first band (Thulsa Doom) because I hadn’t gone through puberty yet.

As the lead guitarist in Kuroma, with members who also play with the touring bands for folks like Craig Finn, MGMT, etc; how in the hell do you all find the balance to focus on Simon Doom?

The key is to be chill and respectful of other people’s schedules. Chill vibes. No overplaying. Beers. Queso. Make sure there are new songs to learn so we don’t get bored… if it’s FUN people will make time for it, ya know?



Take us through what it was like for you in developing all the songs found on the analog tape fizz & fuzz of your heavy EP Negotiate With The Monkey?

Unlike the previous EP, all the tracks on the Negotiate record were recorded and played by me, without the band. I just got a new recording/demoing setup and wanted to try it out, so I quickly busted out very simple versions of the first three Simon Doom songs I wrote (which had yet to be recorded). I sent the tracks to Ayad just to see what he could do with ’em, and what he sent back sounded super full and impressive. He ran every individual track through a tape machine to tone down the digi quality of my initial recordings and really gave each tune character.

Get wild with Simon Doom; photo courtesy of the band.
Get wild with Simon Doom; photo courtesy of the band.

Can you elaborate too on how you and all were able to be able to really hone in on that sound working with Ayad Al Adhamy, Tommy Stinson, and as previously mentioned from MGMT, Ben Goldwasser? How did you all even begin to go about finding those sorts of deep frequencies?

Ben was one of the first people who suggested that Simon Doom become a real project after hearing the initial demos. He and I had worked together on the last Kuroma record, so I was really excited to have his help recording the first EP.

Tommy Stinson heard about us through a mutual friend and invited us up to do a semi-live EP recorded in his house in Hudson, NY. We put one of the tunes (“Punk Problems”) on the self-titled EP and the rest will be released later this year. Total dream come true because we are all HUGE Replacements fans.

But, like I said earlier, only Ayad was involved with Negotiate With the Monkey.

What else is good right now in NYC that the world isn’t paying attention to?

I dunno man. It’s hard to discover things before the internet does. I would say my favorite new local band is, Glyph City. They are the real thing. Definitely wanna give props to Collapsing Scenery. That’s an experience. Everyone should go to Frankel’s Delicatessen whenever they can. I do think most of the cool shit is actually going on in Australia.


What’s exciting everyone in the Simon Doom camp right now?

I would say that the number one most exciting thing is the SIMON DOOM ALBUM we are working on. We just finished tracking at Axis Mundi’s studio in Bushwick and everything is feeling great. We got both Ben Goldwasser and Andrew Vanwyngarden helping out with production duties, Ayad is in the mix, so many people coming out to help with this record. It’s really communal and groovy. It’s like the final episode of Seinfeld except, instead of all the characters from past episodes suing us, they are helping us make a great record. Also, it will hopefully be received better by critics and fans alike.

Simon Doom’s Negotiate With The Monkey EP will be available April 29 from Axis Mundi Records.

8
Music / Simon Doom
« on: April 28, 2016, 07:05:03 AM »
Simon Doom is Simon O'Connor's (Kuroma guitarist, European festival crowd riler during Kids, and all around super nice guy) project that he's been pouring his heart and talent into over the past couple of years.  I got to see him play in Brooklyn last year in a tiny venue and they splattered my brain all over the ceiling! They reminded me so much of an 80's band called Let's Active which was producer extraordinaire Mitch Easter's project.  Anyway, the EP drops tomorrow and you can read hear about all of the MGMT connections and take a listen here.  http://www.imposemagazine.com/bytes/chatter/week-in-pop-young-fathers-yalls-writer-neighbors-purses-plazas-simon-doom-my-favorite



SIMON DOOM


Introduce yourself to NYC new’s pop icon in the making—Simon Doom; an alt-rock Adonis image ripped from the silver screen, and high-throttling through your stereo-speaker. Known as the lead guitarist in Kuroma, who also works in the touring groups for MGMT & Craig Finn; Simon gifted us the following premiere listen to the forthcoming EP Negotiate With The Monkey available April 29 from Axis Mundi Records, engineered by Ayad Al Adhamy (Passion Pit, Team Spirit), and produced by MGMT’s Ben Goldwasser. The result is the sound of what sounds like a mythic group imagined from the celluloid style of cinema filmstar heroes that rocks & rolls with festival ready savoir faire with the sensible ability to emulate historical pop eras by way of osmosis. The result is like little you will be prepared for.

Negotiate With the Monkey begins with the title track that kicks off like the opening credit roll of the best counter culture film not-yet made. All levels of frequencies are tapped into like experiencing a big glamorous arena-style live set by a big fest headliner that commands the stage and crowd like a shepherd lording at the center of the heard’s gaze & attention. Such matters of idolatry & narcissims are further entertained on the quick-wheeling fuzz guitar gauntlet “To Be Admired” that deals head on with that beautiful face reflecting back in the mirror. Then the surf-storming “Roseate” saturates the scene in rose tinted hues of good fortune, guided by the thundering frenetic & frantic shouts & shakes that send everything speeding & sprialling to a head twisting conclusion. Join us after the following listen to Simon Doom’s new Negotiate EP, for an interview with the group’s fearless leader.



Bring us to the very beginning from when you first began your own solo creative ventures.

Well, as the only member of Kuroma who does not double as a touring member of MGMT, I found myself at home, with nothing to do, quite often in 2013-14 when all my dudes were out promoting MGMT’s last record. So I started writing and recording songs.

Originally, they were all songs I was writing for Kuroma, but after I recorded a couple demos, I kind of didn’t want anyone else to sing them. They were pretty personal. I was used to writing songs for other people to sing because I never considered myself a singer… which, I imagine, has something to do with me not being allowed to sing in my first band (Thulsa Doom) because I hadn’t gone through puberty yet.

As the lead guitarist in Kuroma, with members who also play with the touring bands for folks like Craig Finn, MGMT, etc; how in the hell do you all find the balance to focus on Simon Doom?

The key is to be chill and respectful of other people’s schedules. Chill vibes. No overplaying. Beers. Queso. Make sure there are new songs to learn so we don’t get bored… if it’s FUN people will make time for it, ya know?



Take us through what it was like for you in developing all the songs found on the analog tape fizz & fuzz of your heavy EP Negotiate With The Monkey?

Unlike the previous EP, all the tracks on the Negotiate record were recorded and played by me, without the band. I just got a new recording/demoing setup and wanted to try it out, so I quickly busted out very simple versions of the first three Simon Doom songs I wrote (which had yet to be recorded). I sent the tracks to Ayad just to see what he could do with ’em, and what he sent back sounded super full and impressive. He ran every individual track through a tape machine to tone down the digi quality of my initial recordings and really gave each tune character.




Can you elaborate too on how you and all were able to be able to really hone in on that sound working with Ayad Al Adhamy, Tommy Stinson, and as previously mentioned from MGMT, Ben Goldwasser? How did you all even begin to go about finding those sorts of deep frequencies?

Ben was one of the first people who suggested that Simon Doom become a real project after hearing the initial demos. He and I had worked together on the last Kuroma record, so I was really excited to have his help recording the first EP.

Tommy Stinson heard about us through a mutual friend and invited us up to do a semi-live EP recorded in his house in Hudson, NY. We put one of the tunes (“Punk Problems”) on the self-titled EP and the rest will be released later this year. Total dream come true because we are all HUGE Replacements fans.

But, like I said earlier, only Ayad was involved with Negotiate With the Monkey.

What else is good right now in NYC that the world isn’t paying attention to?

I dunno man. It’s hard to discover things before the internet does. I would say my favorite new local band is, Glyph City. They are the real thing. Definitely wanna give props to Collapsing Scenery. That’s an experience. Everyone should go to Frankel’s Delicatessen whenever they can. I do think most of the cool shit is actually going on in Australia.


What’s exciting everyone in the Simon Doom camp right now?

I would say that the number one most exciting thing is the SIMON DOOM ALBUM we are working on. We just finished tracking at Axis Mundi’s studio in Bushwick and everything is feeling great. We got both Ben Goldwasser and Andrew Vanwyngarden helping out with production duties, Ayad is in the mix, so many people coming out to help with this record. It’s really communal and groovy. It’s like the final episode of Seinfeld except, instead of all the characters from past episodes suing us, they are helping us make a great record. Also, it will hopefully be received better by critics and fans alike.

Simon Doom’s Negotiate With The Monkey EP will be available April 29 from Axis Mundi Records.

9
MGMT / Re: Random MGMT Thoughts
« on: April 21, 2016, 01:46:33 PM »

10
MGMT / Re: Random MGMT Thoughts
« on: March 09, 2016, 09:00:47 PM »
Electric Feel will be making an appearance on The Voice again this season :). One of Pharrell's duo's will be performing it.

11
MGMT / Re: Random MGMT Thoughts
« on: February 24, 2016, 09:05:32 PM »
Is there anything happier than our boys in the studio?


12
The Internets / Re: ♫ We love you in Glacial Ways ♫ (II)
« on: February 12, 2016, 07:20:30 PM »
http://noisey.vice.com/back-and-forth/noisey-back-forth-martin-rev-suicide-mgmt


It's been a long time since we've had something to post in our most beloved thread!

13
MGMT / Time To Pretend on Song Exploder plus contest
« on: January 19, 2016, 12:00:52 PM »
Everything you ever wanted to know about the song that got many of us into MGMT back in the day!    http://songexploder.net/mgmt
"
MGMT was formed by Ben Goldwasser and Andrew VanWyngarden in 2001. The song Time to Pretend was one they wrote early in their career. It first came out on their debut: the Time to Pretend EP in 2005. And three years after that, they put out a new version of the song, on their first full-length album, Oracular Spectactular, which was named album of the year by NME and was one of Rolling Stone’s top 20 albums of the decade. It went on to sell over a million copies worldwide. In this episode, Ben and Andrew trace how the song Time to Pretend was made, from its dorm room origins, to its first recording, to re-envisioning it with Grammy-winning producer Dave Fridmann. They also uncover the hidden sounds and easter eggs within the recording.
MGMT is giving away an exclusive white label pressing of the Time to Pretend EP on vinyl, signed by the band. If you’d like to enter to win the record, all you have to do is share a link to this episode, and tag MGMT and Song Exploder in your post. On Twitter and Instagram, their handle is @whoismgmt, and Song Exploder is just @songexploder.
You can buy “Time to Pretend,” from Oracular Spectacular on iTunes. You can also get the EP version of the song."

14
MGMT / Re: Random MGMT Thoughts
« on: January 19, 2016, 11:54:23 AM »
Because of Bowie?  :'(
doubt it, they've never really mentioned him.... I thought more of them getting ready for something big!
Andrew has talked about Bowie

15
MGMT / Re: Random MGMT Thoughts
« on: January 04, 2016, 02:13:58 PM »
Top story on "The DL with Madison" on Sirius/XM Alt Nation today is that we'll have new music from MGMT this year.  Obviously this comes from the tweet. I'm not posting as news, but rather that it's just nice that there's some excitement. Definitely a lot love out there for the Boys.

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